Like many other artists and performers, Boukman Eksperyans fled the country to live in exile. During their time abroad, the band performed and spoke out against the military dictatorship of Raoul Cédras. In 1994, after Aristide was restored to power, the band returned to Haiti, where they continued to play concerts, record albums, and perform at the Carnival celebrations. Boukman Eksperyans was founded by Lolo Beaubrun and his wife Mimerose. Beaubrun's father was a comedian and was often referred to as the Bill Cosby of Haiti.
While on tour in the United States, he brought back a James Brown LP which left a lasting impression on young Lolo. After his parents divorced, he followed his mother to Brooklyn, New York. In the United States, he studied two years of Business Administration. Lolo returned to Haiti in 1978, and there were bands playing music known as minidjaz as part of the first "roots" music movement. To Lolo, they seemed to pay no attention to song lyrics that dealt with reality.
They were even accused of standing too close to the Duvaliers. When Lolo and Mimrose began to seek their musical goals, they felt a strong desire to incorporate the African element in Haiti's culture into their music. They decided to combine roots music with vodou religious and musical traditions. The greater vision was to use their music to combine the structures found in common throughout world religions with Haitian vodou. Lolo's grandfather was deeply involved in vodou, but his parents never made this available to him.
Lolo and Mimrose entered their first vodou lakou-s, a Haitian spiritual community, where they met musicians and singers. They also got their first real glance at the African culture of Haiti in the form it was handed down from members of various tribes. They founded a group to study vodou music, gave it the name of Moun Ife ("People of the Abode of the Deities"). Lolo stated that Bob Marley, another important musical inspiration, made him think.
When he heard the Jamaican legend in 1976, he thought he could create something similar in Haiti with vodou. Lolo and Mimerose began to perform as a live act in the 1980s. The traditional roots instruments were replaced by electric instruments, like the bass guitar and two guitars played by members Eddy François and Daniel 'Daby' Beaubrun, Lolo's brother and the band's chief arranger. To honor both the 18th century vodou priest and the "high priest of rock music", Jimi Hendrix, the band chose the name Boukman Eksperyans. Since the beginning, starting with the first encounters made by the Beaubruns with deep African roots, Boukman Eksperyans has remained steadfastly linked to the Ginen ("Guinea") vodou line.
The band calls it vodou adjaye after a vodou ceremonial dance. This was also the title of their first album, released in 1991. Boukman Eksperyan first became famous in 1990 when they presented their song "Ke'm Pa Sote" at the Carnival celebration in Port-au-Prince. The song included the refrain "My heart doesn't leap, I'm not afraid". This song was a protest against the living conditions under the post-Duvalier interim military government of General Prosper Avril.
After a young girl was shot dead by a soldier, this song became an out-and-out battle hymn admonishing the government. The band continued to write and perform rebellious songs. The band members were never directly threatened, but were advised 'never go out at night'. When the military junta overthrew president Jean-Bertran Aristide in 1991, the band decided to leave the country for their own safety.
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