“So far the response has been really positive, especially from the fans,” says Nick. “We strive to write music that moves and connects with people. It’s the reason we want to play professionally.” Highlights include opening track ‘At World’s End’, which leaks a despair that defies its upbeat arrangement. Richly-scored ballads, ‘22’, and ‘These Lights,’ capture the quietness of intimacy, whilst ‘Broken Bones’ sees Milwright ponder existential matters: “This endless ride has got me I know/I’ve been holding on by a thread/falling towards the end, but I have been held by a thousand hands/we can scream out loud ’cause we’re all on this ride I know”.
In ‘Raise My Hands,’ Milwright mourns “the thread coming undone/love it comes and goes” accompanied by a sympathetic string section; and ‘Disappear’ offers an introspective, ambivalent close to the album: “just give me a minute to gather my thoughts/disappear now”. From an early age, and a childhood spent with, as Nick puts it, "the usual suspects" (The Beatles, Cat Stevens, John Lennon, Joni Mitchell & Van Morrison) Nick knew that there was something drawing him to music, but it wasn't until his early twenties that he was to pursue it full time. In the meantime he tried following in the footsteps of his family – and joined the military. Soon realizing that this wasn't for him, he left to begin training full time in Ballet and contemporary dance at one of Australia’s top dance schools, the VCA. Finally, forced to rest for 6 months after an injury, he decided to open his mouth.
"It was something like taking a plunge off this huge cliff, and I'd been too scared to confront it for so long,” he says. “In the end I had to accept that the desire would never leave, and the real regret would be to grow old and to have never given it a shot.” After collectively finishing uni or working in badly paid jobs, Blackchords began to take shape in 2005, their name originating, says Nick, “down in the belly of a bluestone basement”. In 2006 they created quite a stir when, as an unsigned band, their video for ‘Broken Bones’ won first place at Melbourne’s prestigious St Kilda Film Festival. In 2008 the same song went on to become a double finalist in the ISC (International Songwriting Competition, for best rock song & video).
“I really love working with filmmakers and artists to help create the Blackchords landscape,” says Nick. In 2008 the band were signed to Dust Devil Music, and began work on their debut full-length album. "In the beginning we were almost an alt country band. Then we found ourselves trying to resemble instrumental rock bands like Explosions In The Sky.
Now I feel like we've found our own feet and sound like Blackchords. I knew we were walking the right path after hearing the first notes of the cello on ‘Raise My Hands.’ The whole time when the string quartet was recording I just sat there. I had goose bumps down my spine.” So, now that ‘Blackchords’ is complete and ready to be set free, what does the future hold for the band? "We're just eager to get out there and push it as far as it can go. Blackchords want to make music for the rest of our lives and get better and better as musicians.
If we can do that we’ll be very happy." Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply..
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