He directed over fifty productions for radio and television in addition to his stage work; his rare appearances as an actor included the lead role in Arbie Ovanesian's acclaimed production of Suddenly... at the 1992 Nancey International Theatre Festival. The wide popular audiences drawn by Mofid's work earned him an unprecedented degree of immunity from censorship. But his relationship with the Shah's regime consisted of a balancing act between continuous harassment from the secret police and the embarrassment of official recognition and reinterpretation of his work During and after the revolution, political groups across the entire spectrum attempted to claim his work as representative of their ideals, but he remained independent and withdrew his plays from production when their integrity was threatened. As the resistance to the Islamic regime grew, recordings of songs from his plays were played on the rooftops of Tehran, identifying Mofid with the opposition.
As a result, he lived underground for several months and eventually escaped. After coming to the U.S. In 1982 until his untimely death in 1984, Bijan directed several productions in Los Angeles, San Francisco and New York as well as the first production of his own work in translation; DRAGONFLY. He took these opportunities to rewrite some of his work that had suffered most heavily from censorship in Iran. Bijan's Works The City of Tales (Shahr-e-Ghesseh) , 1967 The Moon and the Leopard, (Mah-o-Palang) 1968 Hold On Kid, Spring is Coming (Bozak Namir, Bahar Miad), 1972 Your Humble Servant (Jan-Nesar), 1975 Dragonfly (Sohrab-o-asb-o-sanjaghak), 1975 The Butterfly (Shaparak Khanoom), 1974 Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply..
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