Beryl had the distinction of being one of the earliest performers to be managed by Tony Stratton-Smith, a sports journalist turned music maven who later founded Charisma Records and managed such acts as the Nice, Genesis, and Lindisfarne. Beryl jumped to EMI's Columbia label in 1965 and lasted there for two singles, of which "Break-A-Way" -- arranged and conducted by Ivor Raymonde, outdoing his work with Dusty Springfield -- was a British pop-soul jewel. After the failure of her single "What's She Got" in 1966, Beryl changed her approach to music. Her solo career having failed to ignite sales, Beryl joined Rod Stewart in Shotgun Express and after that moved on to a stint with an all-girl band called She Trinity before linking up with Paddy Chambers (of Paddy, Klaus & Gibson) in a group called Sinbad.
During the 1970s, she also performed as a member of a group called the Gamblers. Beryl was most visible on record as a session vocalist and resumed her work as a solo act in the 1980s. Perhaps her high point as a singer -- and the highest tribute ever paid this underrated talent -- was her stint performing as a member of the latter-day Martha & the Vandellas alongside Martha Reeves. Beryl never recorded enough during the 1960s to support a compilation album, much less a CD of her work, which has reappeared as part of anthologies such as Deram Records' The Girls' Scene ("When the Lovelight Starts Shining Through His Eyes"), EMI's Beat at Abbey Road 1963-1965 ("Break-A-Way"), and her rendition of the Shirelles' "Everybody Loves a Lover" appeared on See for Miles' 1985 compilation LP At the Cavern.
~ Bruce Eder, All Music Guide This year the LoneBoy Records brings you the unstoppable, the powerful, the distinctive BERYL MARSDEN as she return to the music business with her first studio album in over 30 years. “One Dream” promises to be well worth the wait. AOL MUSIC 2006 Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply..
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