He also contributed to the studio-based band Visage, playing on the ensemble's first two albums, Visage and The Anvil. After Magazine broke up, Adamson worked with another ex-Buzzcock, Pete Shelley, before joining Nick Cave and the Bad Seeds. He appeared on five of that band's albums: From Her to Eternity; The Firstborn Is Dead; Kicking Against the Pricks; Your Funeral, My Trial; and Tender Prey. After his stint in the band, he went solo, releasing an EP, The Man with the Golden Arm in 1988, and his first solo album, Moss Side Story, the following year, the soundtrack to a non-existent film noir. The album incorporated newscasts and sampled sound effects and featured guest musicians Marcia Schofield (of The Fall), Diamanda Galas, Roland S. Howard, and former colleagues from the Bad Seeds. Adamson's second solo album was the soundtrack to a real film this time - Carl Colpaert's Delusion, and he would go on to provide sountracks for several other films. Adamson's third album, Soul Murder, was shortlisted for the Mercury Music Prize in 1992. His solo work is influenced by John Barry, Elmer Bernstein and Ennio Morricone.
Later works have included jazz, electronica, soul, funk, and dub styles. In 2002, Adamson left his long-term label, Mute Records, and started his own 'production home', Central Control International. In 2006, he released Stranger on the Sofa, first for his Central Control International imprint, to critical acclaim. Back To The Cat, his second album for the label, was released in March 2008. In 2007 it was announced that Magazine would reform for concerts in 2008. Adamson will be part of this and the same line up that recorded Secondhand Daylight will reform, with the exception of the late John McGeoch.
McGeoch will be replaced by Luxuria/Apollo 440 member Noko. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply..
show me more