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Bang Bang Band Girl - JPop.com
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Bang Bang Band Girl

Bang Bang Band Girl

Bang Bang Band Girl


Bang Bang Bang Girl saw the light of day in 2011 in the faraway deserted lands of the Southern Hemisphere. Coming from the harbor of Valparaiso, Chile, Sheri Corleone first undertook a lonely journey as a one lady band. Searching for a memory, an emotion, a symptom of the past, Sheri Corleone doesn’t overshadow, however, more contemporary demons that keep on stimulating and enriching her creativity. A lover of Rock’n’Roll in its truest and rawest essence Read more on Last.fm
Bang Bang Bang Girl saw the light of day in 2011 in the faraway deserted lands of the Southern Hemisphere. Coming from the harbor of Valparaiso, Chile, Sheri Corleone first undertook a lonely journey as a one lady band. Searching for a memory, an emotion, a symptom of the past, Sheri Corleone doesn’t overshadow, however, more contemporary demons that keep on stimulating and enriching her creativity. A lover of Rock’n’Roll in its truest and rawest essence, she endlessly fuels her primitive roots and influences by digging destructured gems from the No Wave and Noise genre. More, an obvious romance for the fifties and the spaghetti western imagery, an ongoing pattern, nourishes the esthetics of Bang Bang Bang Girl. The meeting of the talented Mexican designer Victor Hugo Izquierdo (Mexico DF) allowed to materialize Sheri Corleone original idea for BBBG image. The fist demo, Lies, was recorded in extreme Lo Fi, with a vintage Japanese Teysco guitar and a custom made kick. With this recording, Sheri Corleone participated to the first Old School Monoband compilation in South America, released with other fellow bands on ScrapMetalDealer Records (Argentina). The lonely days of Sheri Corleone were reaching an end as fate made her cross the mysterious and winding path of Johnny Cake (John Wayne Supermarket, ex Indian Ghost, Prehistoric Pop...). That encounter, colored with a strong connection of ideas and similar passion for Smith & Wesson guns and Fuzz guitars gave birth to a sonic racketeers association which became a real partnership: Johnny and Sheri associated/Partners in crime. Johnny produced and remixed, then, a new version of Lies with organ arrangements coming straight from the Transylvania of old.

This boosted version can be found on the Rock Hardi compilation no 43 (France). The melancholic Trulov maintained the continuity of this ruthless duo, confirming the chosen trajectory: creating their own horror western scene. Mid 2012, then, BBBG toured Chile, from Santiago to Valparaiso. In July 2013, BBBG first EP (Lies/When I hear the train coming) was released on Kizmiaz Records (Nantes, France). Wanda Jackson’s Funnel of Love cover was the next misdemeanor, followed by a Yuraq Yuraq Productions video (Lima, Peru). A beautiful friendship between the band and Radiolux blossomed, generating an ever growing feedback. It is so, from their operational bases, that Sheri Corleone and Johnny Cake trad with even more fervor the criminal path of sonic subversion and voodoo western; they are, at this very moment, elaborating their first LP, due to release in the first half of 2014 on the cult Le Havre, France label: Closer Records. The songs are written by Sheri Corleone (lyrics, vocals, bass, bang kick, oscillators, organ). The ghostly and hypnotic arrangements, Carpatian organs, mix, mastering and production are taken care of by Johnny Cake. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply..

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