After two full-length LPs, an EP, and three years of touring, the American Babies are hitting their stride. The live band has been solidified with David Butler (Lee "Scratch" Perry) on drums, Adam Flicker (The Brakes) on keys, and Nick Bockrath (Nico's Gun) on bass. The band has shared the bill with numerous like minded acts such as Derek Trucks, Sheryl Crow, Umphrey's McGee, Railroad Earth, and The National to name a few. Hamilton entered a Philadelphia studio in January of 2013 to start work on what has become the Babies' third long-player "Knives and Teeth" (via The Royal Potato Family). When asked to describe his new record, his answer is short and compact but, like his lyrics, is loaded with deeper meaning: “It’s a 40-minute existential meltdown.” “When you're in your 20's,” he says, “you worry or focus on things that don't seem to maintain their importance as you get older.
Chicks, partying, finding a place. Shit, all of my albums back then were about girls, in one way or another. Then you grow up and you realize none of it actually matters, so you dig deeper. I spent a lot of time with some activist friends and the Occupy movement.
That pushed some buttons but, I kept digging. Then I had a couple of close friends pass away within a few months of each other and that made me really dig in. I started to think about my own mortality. Reconsidering what was really important to me.” Throughout the course of the album, from the Lou Reed-inspired “This Thing Ain’t Going Nowheres” to the inspired punk energy of “Bullseye Blues” to the head-shaking acceptance of “Goddamn,” Knives & Teeth speaks of fragility, cruelty, frustration, and the search for what makes a life worth living. Tom and company will be taking American Babies' re-energized live show back to the road this fall, and all through 2014.
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