Composed in 1897, his Funeral March for the Obsequies of a Deaf Man -- consisting of nine blank measures—predates comparable works by John Cage and Erwin Schulhoff by a considerable margin. His piece "Story for Sara" was translated and illustrated by Edward Gorey. Allais participated in humorous exhibitions, particularly in those of the Salon des Arts Incohérents of 1883 and 1884, held at the Galerie Vivienne. At these Allais exhibited arguably the earliest examples of Conceptual Art. Of his art, perhaps the most influential were his plain white sheet of Bristol paper Première communion de jeunes filles chlorotiques par un temps de neige (First Communion of Anaemic Young Girls In The Snow) (1883), and a similar red work Apoplectic Cardinals Harvesting Tomatoes on the Shore of the Red Sea (Study of the Aurora Borealis) (1884). He died in Paris.
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|Marche Funèbre Composée Pour Les Funérailles d'un Grand Homme Sourd|
|Траурный марш для похорон великого глухого, 1897|