He became director of chamber music for the Association of Contemporary Music, and then worked as a radio music editor. His works were often taken to embody the new brutalism and worship of the machine, and his most famous composition is the orchestral piece Iron Foundry (Zavod), a movement from a ballet entitled Steel (1927), which was performed all over the world. Later Mosolov fell foul of the musical politics of the USSR and after violent attacks on his reputation by RAPM he was expelled from the Association of Contemporary Music in 1936 for 'public drunkenness'. Before this he had written to Stalin complaining that through no fault of his own he had 'become a kind of musical outlaw' even though he was 'a loyal Soviet man'. He was sent to Armenia, Kirghizia, Turkmenia and Daghestan to document folksong (and also to 'compose a Turkmen Song about Stalin') before being arrested in 1937 for 'anti-Soviet propaganda' and condemned to eight years in the labour camps.
Owing to the intervention of his former teachers he was released in a matter of months and lived on in poor health, still composing and working with folk music but largely denied a hearing by the authorities. Shortly after his death his music began to be revived. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply..
show me more