From 1996 to 2003 he was resident in Berlin. His latest work combines instruments and machines from the pioneering era of sound recording and reproduction (Stroh instruments, wind-up Gramophones, shellac discs and wax-cylinder Phonographs) to make live mechanical-acoustic music. Since 1999, he has actively explored the potential of pre-electronic sound reproduction technology in live performance. This work has been shown in Germany, Holland, Poland, Italy, Austria and the USA, and featured on WDR and Deutschlandradio radio stations. In 2002 he founded Recording Angels, a series that examines our relationships to recorded sound using antiquated home-recording devices such as Phonographs and acetate record cutters in performances and installations. Projects include “Voices and Etchings” for 6 singers and Gramophones (Staatsbankberlin, 2003) and “Mechanical Landscape with Bird” (MaerzMusik, Berlin 2004), featuring live singing canaries, wax cylinder Phonograph recordings and a rotating horned string quartet.
Collaborations with artists include: Martin Riches, Apartment House, Kairos Quartett, Ute Wassermann, Anna Clementi, Aki Takase, Tony Buck, Hayley Newman, Phil Minton, Tristan Honsinger, Tony Oxley, Evan Parker, Sainkho Namchylak, Louis Moholo, Jon Rose, Matt Wand, Richard Barrett, Phill Niblock, Christian Wolff, Claus van Bebber, Boris Hegenbart, and many, many others. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply..