Instead, Harris took a sophisticated, song-based approach, characterized by elaborate swung micro-rhythms, thick musical baselines, complex arrangements, haunting tonal melodies and brooding introspective atmospheres - and tastemakers took note. A steady stream of Adultnapper tracks have since appeared on some of the world‘s most esteemed labels - Steve Bug’s Audiomatique, Frank Lorber‘s Nummer, Mr. C’s Superfreq, Mule Electronic, Dirt Crew, etc. - and have been hotly tipped by elite DJs - Loco Dice, Danny Tenaglia, Craig Richards, Sven Väth, Laurent Garnier, Sasha, Monika Kruse, Steve Lawler, Danny Howells, etc.
- thus firmly establishing Harris as one rare purveyor who steadfastly challenges the conventional wisdom and accepted shortcuts of post modern electronic music. In 2007, seeking a platform on which to further develop the Adultnapper persona, Harris launched Ransom Note, a concept label with a cohesive narrative that unfolds with each release. Much like a graphic novel, using text, the “ransom note,” and imagery, a series of drawings by performance artist John Stroud, the label‘s jackets will tell the story of this anti-hero who is part creative genius gone awry, part tortured dystopic philospher, part paranoid vigilante outlaw. Still, it is when Harris himself is in control of a dancefloor that Adultnapper is truly brought to life. Relying primarily on the ancient art of mixing two records, Harris’ precision skills and thoughtful programming have earned him a reputation as DJ equal to his regard as producer - an uncommom distinction.
On the decks, Harris intricately weaves divergent strains into a thick, pumping groove that subtly rises and falls, drawing the crowd ever deeper within his emotion-laden, melodic journey. Circo Loco at DC10, Ibiza, Cielo in NY, The End, Mulletover in London, Weekend in Berlin, Pawn Shop in Miami, Avalon in LA, are just a few of the world’s discenring floors that have been graced by Adultnapper and been left clamoring for more. In May 2008 he released his first mixed compilation for Audiomatique. 'Audiomatique Volume 2.0' is a descent into the deepest realms of electronic rhythm, veering from the spare crisp minimalism of Gui Boratto and Martin Eyerer's 'The Beach', to the moody, strobe-lit melancholia of M_nus producer Gaiser's 'Found Guilty Mix' of Adultnapper's own 'Juror no. 9'.
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