Specifically, he was one of the developers of a form called "madrigal comedy" — unstaged but dramatic collections of madrigals which, when sung consecutively, told a story. Formerly, madrigal comedy was considered to be one of the important precursors to opera, but most music scholars now see it as a separate development, part of a general interest in Italy at the time in creating musico-dramatic forms. In addition, he was an important composer of canzonettas, a lighter and hugely popular alternative to the madrigal in the late 16th century. Banchieri disapproved of the monodists with all their revolutionary harmonic tendencies, about which he expressed himself vigorously in his Moderna Practica Musicale (1613), while systematizing the legitimate use of the monodic art of figured bass. In several editions beginning in 1605 (reprinted at least six times before 1638), Banchieri published a series of organ works entitled l'Organo suonarino. Banchieri's last publication was the Trattenimenti da villa of 1630.
According to Farahat he wrote five madrigal comedies between 1598 and 1628 with "plot and character development", starting with La pazzia senile of 1598, the last of them La saviezza giovenile. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply..
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|Atto II: XII. Madrigale: Baci, sospir e voci|
|La zia Bernadina|
|Festino nella sera del giovedi grasso avanti cena, Op. 18: La zia Bernadina|